I was born in Philadelphia spent my early childhood there then moved to Massachusetts (I choose not to reveal my age publicly) I am a Universalists (I believe all faiths are valid and you must choose the path to the creator that works for you… even if that is No path at all). I am represented by IDEAL Talent, Ryan Hayden
I was four when I saw a man that looked Just like my Grandfather on television and I asked my mother what he was doing. She explained that he was an Actor and I caught the bug immediately. I have Loved fantastical stories in all mediums as long as I can remember. Being able to see them enacted Live and realizing I could be a part of that was a Huge motivational force in my life. I began performing one man shows as early as second grade, but my first professional gig (I believe) was performing as a scare actor at Spooky World. My First on film gig was as a Stunt Performer on the Short lived television series Sheena Queen of the Jungle.
There have been so many Influences on my life creatively it would be hard to pinpoint just one. Certainly Sidney Poitier, George Lucas, Jack Kirby, Stan Lee, Ralph Bakshi, R.A.Salvatore, Larry Elmore… This could go on for a while lol
There are so many ways and parts to delivering a story Just being a part of the process is always thrilling. When it comes to roles I definitely enjoy playing Superlative Characters be they Protagonists or Antagonists. Heavy costuming (Prosthesis etc.) allows for a Physical difference in Viewpoint that I feel adds to finding a character. I do not favor Stereotypical characters (That I qualify for) as I believe it is too often the only portrayals I (and actors similar to myself) am (are) considered for and not reflective of my life experience or that of many of my peers.
You worked on the indie science fiction thriller Hunter Prey directed by Sandy Collora of “Batman:Dead End” fame. Could you tell us a little about that and how hard or easy, it was being in full latex in the desert?
Hunter Prey is one of those amazing experiences I am immensely happy I participated but really feel no need to be involved in the like again. It was a tough shoot (shoestring budget, Small crew, ambitious schedule and production goals). Learned many of the Trials and Tribulations of independent genre film making (lessons that have both helped and hindered my current efforts). I formed a few lifelong friendships and also learned more about some friends than I need to know lol. Fortunately we shot early in the morning and or late afternoon so I was rarely attempting to perform in the heat of the day. On the days I was in the Prosthesis it was easily a 12-16 hour day and the makeup was designed with no nose holes so it was… not easy. Add a full suit of fiberglass armor to it and you have a Hell of an easy time finding the motivation to play a battered solider seeking to end a conflict as succinctly as possible.
Yes and No, There is a large benefit to fitting in a pre-established category in this business. We have all heard the phrase “Give me the same but different.” and it is not difficult to see the influence it has on the majority of the entertainment options we are offered these days (though I dare say there are more diverse options happening more frequently as the amount of available content continues to increase). When you buck those classifications it becomes a little more tricky to establish yourself, especially if you have a specific manner in which you wish to be seen.
Things are changing in Hollywood with regards to putting more people of color in lead roles on television. Shows like Almost Human, Sleepy Hollow and Scandal, all see people of color in lead roles and playing people of importance. Do you feel as though a shift is occurring?
Zoe Bell is an example of a stunt actor whose done really well for herself. But she seems different than regular actors. More humble? More grounded? Is it because she’s had to do the dirty work for so long?
I think there is an aspect of devoted Martial Arts Study that can have a very grounding effect upon a performer. There is something about having a solid grasp of your capabilities and a willingness to push your limits, that can give you a different perspective on being in this business.
You had the awesome opportunity to play Thanos through mo-capture, who appears at the end of The Avengers. Could you tell us about that process? I mean how does one go about becoming the face of one of Marvels most infamous villains and are you returning?
It was actually Prosthesis and a costume with the Armor and Make up. Designed and constructed by Jose Fernandez and Ironhead Studios then Masterfully applied by Thom Floutz, with some digital augmentation. There were a few Make Up and Costuming sessions (Including the first one where I found out what role I was actually playing MIND=BLOWN) and a single shoot day for the sequence at the end of Avengers. I have been a Comic reader since I can remember ( I began hard core collecting when I was 9) and was Very familiar with the character. That being said it wasn’t too difficult to place my hand down, stand up, turn around and Smile “in Character”. Marvel would be the place to ask any and all questions about any future I may have in Purple…
As a child I actively pursued Theater all throughout grade school and during the summers I attended the Charles River Creative Arts Program then the associated International Arts Program in Massachusetts. I am currently developing and refining at PlayHouse West in North Hollywood. My physical training includes primarily Tae Kwon Do, a smattering of other Martial Arts styles. Some gymnastics and a passing familiarity with other acrobatic movements. I was taught ground pounding and introduced to the amazing world of Stunt work in Florida by Glenn Wilder, Phi-Long Nguyen, Dave Kramer, Tyrone Wiggins, Micheal Li, James Sang Lee, and Jeff Pruitt (and that was Before I moved to Los Angeles).
I am Currently working on PayDay The Web Series, and PayDay 2 the video game. I did several voices on The Lost Planet 3 Game. I play Mr. Bennett in Agent 88 which was the highest earning Web pilot to be funded on Kickstarter I can be seen on Real Husbands of Hollywood season 2 (I believe I have at least one episode that has yet to air)as David Ty’Various Perrious the third. I show up in The upcoming Sitcom Surviving Jack (Starring Chris Meloni). That’s all I can think of that I can talk about…
Spending time with the Family. Physical training. Researching the background for one of the Many various projects I am working at. Working at said projects. Consuming as much Genre as I can find time for.
It’s always a pleasure catching up with old friends. MITNG would like to take this time out to thank Damion for chatting with us. As always if you’d like to know more about Damion and his many endeavors feel free to click the links below. Thanks and have a wonderful weekend!
Links to Damion Poitier
The last time I read anything by author Jai Nitz was back when he did the prequel graphic for the 2010 Disney film TRON:Legacy, called TRON:Betrayal. Since then, he’s gone on to do other film related comic books such as the Green Hornet and KATO:Origins. As a former University of Kansas film student, it’s no wonder he prefers theme’s that lend themselves heavily to the proverbial Hollywood gloss and Dream Thief is another one of his works that fits well within his catalog.
Like a funky blend of Quantum Leap and The Punisher, Dream Thief , illustrated by Greg Smallwood, follows the tumultuous adventures of John Lincoln. A man who steals a mask that unbeknownst to him, allows the dead to posses his mind and wreck havoc on the living. Whether it be for revenge or pleasure, he must adhere to the will of those who control his mind, placing him in constant “life threatening” situations.
Issue # 3 of 5, finds John at a Klan Rally, staring at one of it’s high ranking members dangling from a tree. As usual, he struggles to put the pieces of the nights events together, while staring at this Grand Wizard swinging from the rope. He soon substitutes reason for anger as he remembers how friends of his were treated by these low life’s and quickly puts a plan in place, not to solve anything mind you, but to exact some instant gratification on the nights proceedings.
It isn’t until he’s back at home that the reality of what he’s done begins when he sees an innocent black man on television being arrested for John’s deeds the night before. In what “seems” like a breakneck pace, the story develops quickly, like that Sidney Poitier movie In “The Heat of the Night“. Sex, racism and revenge is what Jai Nitz is serving up and it’s as intense as any John Grisham novel.
I’m also realizing after reading Dream Thief #3 of 5, when done right, I love inner narratives. It sure helped to move things along in this issue. The south can be a strange place, filled with beauty and backwardness and Jai taps the sweat and tension like a pro…so much so, it almost felt like a period piece, but that is the genius of writing for today and still honing in on your stories relevancy.
I’m not going to give too much away, but before it’s all over John is jettisoned again, only this time he’s handcuffed in the back seat of a car and is strangling the driver with ropes used to bind his feet. In the front passenger seat sits Father Tommy Logan a staple in Dixie Underworld. The car flies off a bridge and into a raging river below. If that’s not a classic cliffhanger… Wham Bam! I really dig the pace of this series, not only as a film buff, but as a comic book fan. Pick up this series.
Your dreams . . . His nightmare!
After stealing an Aboriginal mask from a museum, John Lincoln realizes that the spirits of the vengeful dead are possessing his body and mind while he sleeps! His old problems have been replaced by bloody hands and the disposal of bodies—and now remembering where he spent last night has never been more important!
* Bram Stoker Award winner Jai Nitz and Greg Smallwood craft a gritty, fast-paced drama.