Blog Archives

Watch The Green Ruby Pumpkin and know what Halloween is!

It is because films like this that I love Halloween! Directed by CGI animators Miguel Ortega (Jack The Giant Killer, THOR) and Tran Ma (Alice In Wonderland, G.I. Joe) The Ruby Green Pumpkin is a delight in that way that years from now you’ll be asking yourself “remember that one Halloween story…yeah that one. Wasn’t it awesome!” The story is a cleverly woven limerick about a woman/witch who lives in this wondrous world and gives candy to all who come to her door, dressed mind you. She dispenses these goodies from her ruby green pumpkin year after year. The story goes on to show all sorts of folks coming to her door for goodies and dressed in their Halloween best. It’s all pretty cheery until the three boys arrive, now I won’t spoil it for you, but that’s where the Tim Burton light heartedness kinda wanes, but still stays beautiful. My hopes is that every kid in the world gets a chance to see films like this, cause they are just plain good and filled with that level of simple story telling that’s hard to find nowadays.

The Green Ruby Pumpkin is a magical and fun short film that captures the enchantment of Halloween. It was a passion project that was created by two Senior visual effects artists. Miguel Ortega and Tran Ma. This Entire project was shot in the living room. watch the making of HERE

Currently Miguel Ortega and Tran Ma are working on a Lovecraft-esque feature called The Ningyo.

994162_268101083330104_1417348295_n

Description

A 1909 period film about cryptozoology. The search for mythological or unproven creatures. A Faustian tale about loosing oneself in the process of achieving our goals.

A Ponce De Leon type adventure involving deep sea diving and underwater caverns.

Dr. Marlowe, a paleontologist and professor, finds a piece of a map pointing to the place where the Ningyo, the mythical Japanese creature, could be found. The legend claims whomever consumes its flesh will attain remarkable longevity. He presents the project to his peers, who mock and dismiss him as a fraud. He decides to risk everything and go after the Ningyo on his own in hopes to bring to light what could be one of the greatest contributions to science. What he could not anticipate is that, in his search, he is confronted with a choice that puts the very foundations of his morality to the test.

For more information on The Ningyo checkout their facebook website for the latest.

You can see our other visual effects work MONSTER SCULPTER


The Making of The Green Ruby Pumpkin from miguel ortega on Vimeo.

The Green Ruby Pumpkin from miguel ortega on Vimeo.

Why a PG-13 Rating Spelled Success for Insidious

MITNG-30_30

Insidious -4

Haunted houses.  Demon possession.  Seances.  The Further.  Astral Projection.  For the Lambert family, any hope of having a normal life gradually fades after their young son Dalton falls into a non-waking state.  As they struggle to make sense of what’s happening to their son, Renai and Josh are overcome with a feeling of never being alone.  Not quite.  Renai is tormented by noises and visions of things that aren’t there.  The events escalate until the family decides to move in hopes of getting away from whatever seeks to torment them.  But, once installed in their new home, things only become worse.  When Josh’s mother suggests they call in an expert, the Lamberts aren’t nearly prepared to learn the truth about what’s happening to their family.

g1insidious_t588

Starring Patrick Wilson as Josh Lambert, Rose Byrne as Renai Lambert, Ty Simpkins as Dalton Lambert, Barbara Hershey as Lorraine Lambert, Lin Shaye as Elise Rainier, Leigh Whannell as Specs, and Angus Sampson as Tucker, Insidious is the 2011 supernatural horror film directed by James Wan and written by Leigh Whannell – the team that brought us Saw.

I am a big fan of James Wan and of screenwriter Leigh Whannell.  The duo have a consistency about them that borders on the unreal.  What’s more, even though their work feels familiar, it almost never feels obvious or predictable.  I’m also a fan of the concept of astral projection.  Perhaps dismissed as too “new age”, or misunderstood altogether, the subject of astral projection has been much underused in film.  I’m happy to say that Insidious makes fun and creative use of the concept.  I’m also a fan of Patrick Wilson (The ConjuringLittle ChildrenAngels in America) whose resume boasts some complicated, nuanced performances that I’ve enjoyed watching time and again.

There.  With my biases set out, let’s talk.

Insidious is a rarity.  Made for about $1.5M and rated PG-13, Insidious was able to do something other films in the genre often only dream of – turn a relatively respectable profit: $90+M.  By capitalizing on a larger audience (and being widely entertaining) this modest horror film cashed in and it did so with very little violence and next to no bloodshed.  Does the PG-13 rating and lack of violence/gore mean it isn’t a “real” horror film?

Hell-to-the-no.

The horror factor of Insidious is, by necessity, internal – the fear of a parent that their child will be injured, the fear of a child of being alone, the fear of what lies in the darkness beyond our senses.  James Wan does a masterful job of using gothic-style scares to sculpt an atmospheric and spine-tingling film.

insidious-2

Sure, there are moments that may feel a bit stagey, even Disneyland-ish, but remember you’re not watching The Texas Chainsaw Massacre, here.  This film also is meant to be enjoyed by a younger set.  A set filled with, perhaps, fewer biases and jaded sensibilities as yourself.  As a result, the film becomes a slightly lopsided experience – with the beginning half of the film building an almost impossible tension that may not really be satisfactorily resolved by the film’s (too literal?) ending.

There is a stillness to Insidious that, in direct contrast to many other pieces in the genre, builds much of the film’s tension and ambiance.  For those with a fear of being watched, Insidious knows where you live and breathe.  Others, who love to be shocked and awed, may be disappointed.

Insidious is a moderately (re)watchable film.  The same cannot be said for every entry into the horror film genre.  Many want to disgust you, shock you, disturb you to the point of making you look away from the screen.  What’s the point of that?  You’re there to see the movie, not look at the palms of your hands.  Sure, it’s great fun to be *that* unnerved in a safe environment, but it doesn’t do much in the way of telling a story.  It disengages the audience and results in the loss of their suspension of disbelief.

The true power of a horror film lies in its ability to draw its audience in, and keep them there – no matter how uncomfortable they may feel – to face those things that wait just beyond the darkness.

Would you let your kids watch it?  That’s a discussion for another writer on another blog – I’m not here to tell you if Insidious is “appropriate”, I’m not Big Sister.  I will say that, if pressed, it’s not exactly easy to come up with a moral bottom line to the film.  Is it to be always mindful of your actions?  Is it to respect all things, especially those for which our understanding is lax?  You be the judge.

insidious

And yes, some of the film may invoke laughter on your part.  It’s okay to laugh while you’re watching a horror film.  Who said it isn’t?  I know that the depiction of the demon lurking over Dalton’s empty body has garnered a lot of attention - some enthusiasticsome laughably negative - and I don’t know if it will reappear in the upcoming sequel to the film.  I do know this.  The red-faced demon is portrayed by Joseph Bishara, the film’s score composer, and I’m sure he’ll be long remembered by an entire generation – even if they’re laughing a bit.

tumblr_mg9mz5fpGk1s2wh8eo1_500

Documentary “The American Scream” takes creating haunted houses to a new level

Follow

Get every new post delivered to your Inbox.

Join 1,192 other followers