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Arcade Fire – Reflektor review

It felt like only yesterday I was watching my very own indie band grow into a mainstream giant with winning the album of the year award at the Grammy’s. Little did I know that they were already selling hugely even before their ultimate award. It didn’t bother me that they became huge, but my only worry lied within the single question, will this change their musical chemistry? I kept reminding myself that the most successful indie band of the current century knew their roots better than any music marketer and I wouldn’t have to fear. Fast forward to the present, and here we are. Presented with the idea that has slowly drifted my mind, Reflektor is born.

This is Arcade Fire’s fourth album, following a conjunction of extremely successful and great albums, the monster band hopes to continue this trend. The most noticeable difference lies not only within the sound, but the length of the album. Reflektor isn’t at the same length of The Knife’s new album, but it clocks in at 85 minutes and it sure feels like that length. These 13 songs can drag on and on, and that has to do with producer, James Murphy, who has a noticeable impact in the new sound of Arcade Fire.

Before I go any further, let me note that many previous fans will be pissed. And when I mean pissed, I mean ‘throwing their iPods/laptops/cd players/cars/trucks/phonographs/people’ against a wall because it isn’t the “Arcade Fire I fell in love with”. This is true. The secret to the success of the band lies within the thematic connection found in their music. On Reflektor, it’s not as apparent. These tracks aren’t as lyrically driven, With the only song that has that signature sound being “We Exist”. It might get some hopes up to fans, but don’t expect that same feeling from the rest of the tracks.

Now let’s bring up the important facts to this album. It’s 85 minutes, so it’s categorized as a double length LP. Does it feel long? Yes. Is that a good thing? Maybe. My first listen was exciting, but it was a grind when I finished the first side of it. Getting myself to listen to the second side was a challenge, but that’s where I really enjoyed myself. While I liked the first half, 5 of the 6 songs have a repetitive drum track that just tore me to shreds by the end of it.

When “Joan of Arc” came in I felt almost saved by the overproduction of James Murphy. It’s noticeably different, and reminds me of a ‘Berlin Trilogy’ Bowie track. The second side is longer, but I found it much more bearable. I don’t think that’s the right word I want to use, because it sounds like I don’t enjoy it, but the first few listens to this album didn’t bring the best out of me. I finally sat in my room with the lights off and tried to really listen to it, but even then it was hard to separate the thought of Funeral. I would say this is Arcade Fire’s The King Of Limbs. It’ll be it’s misunderstood masterpiece that will be picked up in years to come. I found tracks like “Awful Sound (Oh Eurydice)” to be amazing. It’s Beatles influenced melody was super enjoyable. Following that was the post-punk “It’s Never Over (Oh Orpheus)”. That was my favourite song on my first listen, primarily because of the distorted opening riff which took the heat off the heavy dance tracks.

The single “Reflektor” was misplaced hugely as the opening track. I felt the need to say it, because I truly feel like it could create an amazing climax to the album, but instead many listeners will wonder where the rest of the magic went. “It went to the second half,” I’d tell them. If the average music listener can sit through until “Afterlife”, they’ll think the three years was worth the wait. Now I’ve given this album some heavy flack, but I did end up enjoying most of the album. The 11 minute closer of ambiance was super pretentious, and the opening riff on “Porno” really does sound like a B-grade porno (What are you trying to tell us Win?), but Arcade Fire hits most of the marks on this album. To be honest, I need more time with this album, but I’m unable to write a review in 2 months and explain how I feel about this. Reflektor is the ultimate “Grower Of The Year”, but right now, It’s a hard-to-digest double album full of potential magic.

 

 

 

7.5/10

 

Listen to a new Arcade Fire song “Afterlife”

MITNG has been covering the recent news for Reflektor very heavily, and it’s come to the surface that a studio release for a song titled “Afterlife” has arrived. On Zane Lowe’s BBC radio show, he premiered the track, which resembles the early 80′s dance floor scene, especially in England. It still has that classic Arcade Fire twist to it, but it’s nice to see the band try new sounds. I’m really excited to see what happens with the rest of Reflektor, which is released October 29th.

Listen to “Afterlife” below:

Arcade Fire release yet another trailer

As the date draws nearer to the ultimate release for Reflektor, Arcade Fire seamlessly excite fans again with another trailer. Since appearing at performances like the YouTube’s Music Awards, and the Bridge School Benefit Show, they’ll perform on “The Colbert Report” October 21st. Expect (or hope) to hear some new tracks. The band continues to hold us on a string.

Nonethless, view the cryptic and beautiful trailer below:

 

What to expect from Arcade Fire on Reflektor

So as the dust has sort of settled with the release of the new single, “Reflektor”, I can honestly say I enjoyed it a lot. At first, I hated it. Then, I disliked it. Following that I accepted in myself that it’s a great track. The shift in sound is very different compared to the past Arcade Fire sound, but let’s face it, when a band wins a Grammy for album of the year, are they ever the same? The band has arguably become even more experimental with Reflektor as the rumors grow. Yet, as everyone knows, nothing is for sure until the album is released. Here’s what you should expect following the release of Reflektor on October 29th:

Double Album:

Lead vocalist, Win Butler, has announced that Reflektor will be a double album, marking longer tracks, and an overall gigantic collection of songs. He also noted that the two sides will present two distinct vibes. The question is, what will the sides sound like? Well for one, Arcade Fire has never been afraid to touch on themes like nostalgia, growing up, questioning life, so forth on the “meaning of life” metaphors. The way it will translate into music might be a tough call at this point, but never the less it’ll be interesting to see.

LCD Sound-alike:

This is a tough call right now, but as the first single dropped it seems like an appropriate gesture. The DFA records and LCD Soundsystem founder, James Murphy, is producing Reflektor, so don’t be surprised to hear his influence on these songs. I apologize in advance if anyone despises LCD Soundsystem, but I wonder then why anyone would hate such a great band. “Reflektor” was chock full of the signature groovy, steady beat that Murphy does perfectly, but on a double album will it be enough to hold up?

Featured Artists:

Bowie has already confirmed that, in fact, it was him on the band’s first single. Not surprising in the least as he’s already cited himself as a fan since Funeral‘s release way back in 2004. Now the question is who’s next? Many musicians today agree that Arcade Fire will be held as the original Indie bands of the 21st century, and that could open many doors to other musicians for appearances on songs. The band was spotted on LCD Soundsystem’s documentary, Shut Up and Play The Hits, along side The National and Sufjan Stevens. The potential for opportunities is enormous, but how amazing would that combination be? Add Owen Pallet into the mix, and that’s a guarantee for an award somewhere.

Rising High or Falling Fast:

The band has only grown since it’s debut, and although fans recite Funeral as the ultimate winner, it’s hard for the music industry to argue with the biggest Grammy award. They’ve influenced music forever, won every award imaginable by many publications, and have the album of the year award by the Grammy’s as an indie band under their belt, but is there room to grow? Arcade Fire has extremely high expectations to meet, considering their only three albums in, yet have been consistent since their beginnings. Reflektor so far is very promising, but with 8 minutes in, and possibly 70+ to go on the double album, should we lower our expectations?

Everything is up for debate until the release of Reflektor. The band’s influence on music only proves that this is one of the most anticipated releases of year, and decade following The Suburbs, which reserved them a spot in indie music history for breaking down barriers of independent music. Reflektor comes out October 29th, and you can watch the video for the single of the same name below.

Prepare yourself for Arcade Fire’s new single

The time has come. I can finally wear my Arcade Fire shirt with pride as they’re now relevant to everyone who’s listened to music past 2007. The Grammy award winners, and indie icons have announced a new single, along with a video that will be dropping on Monday (It fits the 9/9 9PM scheme). Even from the trailer, I’m very excited to see what they do, as the 40 seconds of sound they release is total kick-ass. Relfektor is supposed to drop Octobert 29th, and you can view the trailer below.

 

Arcade Fire announce date for new album

The rumours are true, Arcade Fire have announced their new album with a release date. The title is unofficial so far, but we know the date will be October 29th. They causally responded to a fan on twitter, then out of the blue announced the date,

“Thanks. Our new album will be out October 29th”

This is exciting news because of how critically-acclaimed their three previous albums were, and the whole usage of the abandoned church for recording has finally came into play. Stay tuned for more details.

 

Arcade Fire – The Suburbs (Official Video) from City Slang on Vimeo.

The Dismemberment Plan announce new album

A quick note to readers, get hyped. The Washington, DC indie-rockers have announced their first album in 12 years, titled Uncanny Valley, it’s set to release October 15th. A message from the band’s facebook says,

“The Dismemberment Plan is pleased to announce that on October 15, it will release Uncanney Valley, its fifth LP and first since 2001′s Change.
This music will be available for digital download. It will also be sold in the compact disc and vinyl 12″ formats.We are very happy with how it turned out and can’t wait for everyone to hear it… we’re also super excited to play these songs at shows this fall.”

How exciting is this! The band has made huge strides in promoting indie-rock, especially with their 1999 album, Emergency & I. So excited for this. Also expect shows to follow-up this release.

In the mean time, check out some classics by the band: 

 

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