Trailer for Dear White People arrives


Of course this is only a trailer, but SO FAR this looks like a pretty good film. Dear White People directed by first timer Justin Simien approaches race on a college campus in a post  “Higher Learning” world. The film stars Tyler James Williams , Tessa Thompson , Teyonah Parris, Brandon P Bell, Kyle Gallner , Brittany Curran , Dennis Haysbert  and Peter Syvertsen .

The Story:

Story of four African American students at an Ivy League college where a riot breaks out over a popular ‘African American’ themed party thrown by white students.

It looks refreshing, and promising. I doubt it will get a full release, so I’m going to go ahead and say Dear White People hits theaters in limited release on October 17, 2014.

Dawn of the Planet of the Apes is a mesmerizing work of art


I’m breaking my own rule of waiting a day before giving you a movie review, but I had to write this while it was fresh in my mind. Nothing could’ve prepared me for the emotions I felt while watching Dawn of the Planet of the Apes. Director Matt Reeves delivers a stellar story of human and simian will. The movie, which stars Andy Serkis as Ceaser, Jason Clarke as Malcolm, Gary Oldman as Dreyfuss and Kerri Russell as Ellie, is like watching an Greek tragedy unfold in front of you. You know how this ends, but don’t, at the same time.  Since the 2011 release of Rise of the Planet of the Apes, most fans of the franchise, have been waiting eagerly for the next chapter of this epic science fiction film and now that it’s here, I couldn’t be happier!

Let me be honest, I knew it was going to be good, but I didn’t know it was going to be this good!  The script, written by Amanda Silver and Mark Bomback, Scott Z Burns and Rick Jaffa, does go in obvious directions sometimes, but that’s not where the script shines. The interaction between humans and apes i.e humans and cgi, are breathtaking, thanks to an outstanding cast. Everyone is so committed, especially the apes played by some really amazing actors!  The most bone chilling performance is given by Toby Kebbell who plays Koba. He’s the scarred chimp from Rise…who Ceaser made an example out of before making him his number two. I never thought I’d see the day when someone could “one-up” Andy Serkis’s performance, then this happened. Koba’s hatred for the humans pervades the whole film. It’s one of those things your waiting to see “break out” and when it does it’s absolutely amazing!

The story picks up where the last one left off, with Ceasar and his, now highly intelligent buddies, living in the forest on the out skirts of San Francisco. Ten years have passed and the serum that made the chimps highly intelligent has wreaked havoc on the human race as the by-product “Simian flu”, decimates the human population, but alas, some have survived and they are creating a new home in the dilapidated ruins of San Francisco.  Unbeknownst to the apes and humans, they both have unknowingly enjoyed a  truce seeing as how neither have had to encroach on each others territory until the humans, desperate and running low on power, must venture into the forest and try to reactivate a water plant that could  supply power to the city. This is when it all goes down. Let’s just say the first encounter with humans in ten years doesn’t go so well and sets the tone for the rest of the film.

For all the action and there is plenty of it, there are some moments that will leave you speechless, As a writer, I kept asking myself what are the writers doing that making me invest so much of myself in this film and I think I know what it is. The dialogue is good, it’s not Shakespeare, but give this dialogue to the right people and it turns into some of the most honest cinema you will ever see. Each character has their moment and those moments are handled with care. It’s so clear that director Matt Reeves needed for this to be a film we are invested in emotionally. Lasting impressions, needed to be made to help usher us into the franchise and Dawn…succeeds at doing this! For instance the choice to use sign language as the main form of communication among the apes was genius. Nothing says drama more than having apes talk using vestiges of human know how. The signing “ups the ante” and brings to the film, this primitive and gentle, energy to the apes. I can’t remember if I felt the same way about the use of sign in the first film, but there’s no question about it’s use in this one. It works brilliantly!

I don’t have anything flowery to say about the film as a whole. It’s a triumph, not unlike Gravity. It’s use of actor, technology and script, is flawless! I would even go as far as to say, some of the shots in this film were clearly designed to show off the visual effects and to remind the world, that very skilled individuals made this happen. Bravo to Matt Reeves for that!  Go see this film, it is solid!!

Skrillex’s Scary Monsters and Nice Sprites finally gets an amazing video


It’s always a pleasure to roll out new work from talented friends. Some of you may remember my friend Miguel Ortega. He’s a VFX guy and professor at one of the nations best VFX schools GNOMON.  We became friends after I saw one of his films on Vimeo entitled The Green Ruby Pumpkin. It is an amazing piece! Our friendship sorta grew from there. Miguel has worked on films such as  Star Trek and countless more. He is currently finishing up his short film The Ningyo, which we featured in our Kickstarter segment. I recently spoke to him about the progress on The Ningyo and he assures me that it will be a sight to behold. You know MITNG will be bringing you all the exclusives  as they come.

Anyway, in addition to all that stuff,  Miguel and a talented team of designers, just finished this whimsical music video for SKRILLEX called Monsters and Nice Sprites. The track came out several years ago, but definitely needed a video like this to quicken it once again.

The video follows a sprite as it journeys into unknown territory, eventually coming in contact with a “monster”. The rest is a heart-stopping chasing that ends on a good note.

MUST WATCH: Before The Dawn of The Planet of the Apes


In a brilliant marketing move before opening night of Dawn of the Planet of the Apes, Fox has released three short films give us all the goodies leading up to the Dawn. In a nutshell, the films gives us the low down on the Simian Flu and what it does to the human population.
These films were done in cooperation with MOTHERBOARD and are pretty good in filling us in on the ten years leading up to Dawn of the Planet of the Apes. Check it out!


Amidst a widespread viral outbreak known as the ‘Simian Flu,’ a mother is quarantined after testing positive for the virus, leaving her husband and daughter to fend for themselves. Dawn Of The Planet Of The Apes presents this moving short film directed by Isaiah Seret in a series inspired by the ten years between The Rise and The Dawn of the Planet of the Apes



Five years after the Simian Flu all but wiped out humanity, an orphaned teenage girl survives by bartering things she has stolen from dead people’s homes. Dawn Of The Planet Of The Apes present this short film directed by Daniel Thron in a series inspired by the ten years between The Rise and The Dawn Of The Planet of the Apes




The journey of a shotgun through the hands of several ill-fated owners as the ‘Simian Flu’ ravages the world around them. Dawn Of The Planet Of The Apes present this ambitious short film directed by “thirtytwo” in a series inspired by the ten years between The Rise and The Dawn Of The Planet of the Apes


How The World Was: A California Childhood is another triumph for Emmanuel Guibert



This is how one should be remembered! A company should be created that pairs great artist and writers with people who wish to have their lives turned into graphic novels. In 2012, we had the extraordinary opportunity to read Alan’s War, the story of Alan Cope and his tour of duty in France during WWII. It was riveting and truly one of the best autobiographies I had ever read. Continuing in that tradition is the second installment of Alan’s story How The World Was: A California Childhood. In this intimate and whimsical story, artist Emmanuel Guibert, once again, exquisitely does with paint what can best be described as a waking dream. Emmanuel’s passion for this subject matter goes well beyond the actual story and bridges on supernatural.

How the World Was is Emmanuel Guibert’s moving return to documenting the life of his friend. Cope died several years ago, as Guibert was just beginning work on this book, but Guibert has kept working to commit his friend’s story to paper. Cope grew up in California during the great depression, and this remarkable graphic novel details the little moments that make a young man’s life…while capturing the scope of America during the great depression.

A lyrical, touching portrait, How the World Was is a gift for a dear friend in the last moments of his life… and also a meditation on the birth of modern America.

A simple story, but wonderfully complex and bursting with nostalgia, How The World….holds nothing back. Like Alan’s War, this story is told using Alan’s words and at times, some of his actual pictures. The story is brilliant in recreating Alan’s world as a youngster growing up in a post-depression era California. We are blessed to have had this union of writer and narrator happen, many of Alan’s recollections are so vivid and honest, my heart bursts with empathy and respect.

Alan’s way of dealing with the world paves the way for his love for human connection, a trait we see a lot of in Alan’s War. How The World…helps put Alan’s War in context. How did this young man from California become as compassionate and as introspective as he was? The answer…family. An intricate networks of connections peppered young Alan’s life with paths that he could take, paths that molded him into the man he became.

How The World Was, is an immense success in paying homage to an American, veteran and human being.

Trailer for the Jimi Hendrix biopic All Is By My Side starring Andre 3000 arrives


So it’s finally here, the trailer for the Jimi Hendrix biopic All Is By My Side directed by Academy Award Winning screenwriter John Ridley (12 Years a Slave). If you remember, we posted a scene from this movie featuring Andre (Hendrix) and Imogen Poots (Linda Keith) and it was fabulous, but then this trailer hits and I have mixed emotions. Not because it doesn’t look good, but the scene the director chose to leak to the fans had a level of intimacy that I feel the trailer looses. This trailer looks like every other movie about a late musician and that bothers me. Not so much that I wont see the film, but enough to give me pause.

Another reason why I might be feeling this way is because the film couldn’t secure rights to Jimi’s catalog. So the film is basically filled with covers and what not. It’s frustrating when you consider how long so many of use have waited for a legitimate Jimi movie and now we have one with a good writer/director and great cast and BAM…no Hey Joe, no All Along the Watchtower. You feel me?

OutKast’s André Benjamin stars as Jimi Hendrix in this revealing biopic from Academy Award-winning writer-director John Ridley (12 Years A Slave). Covering a year in Hendrix’s life from 1966-67 as an unknown backup guitarist playing New York’s Cheetah Club to making his mark in London’s music scene up until his Monterey Pop triumph, the film presents an intimate portrait of the sensitive young musician on the verge of becoming a rock legend.

The Magic Cube’s latest EP “I Hate Them” hits hard


British born EDM producer Kevin Tye a.k.a The Magic Cube, is one hell of a busy man these days. In addition to finishing his palatial home studio (ground zero for his Critical Imprint Label), he’s been doing remixes for Arizona dance artists Miss Krystle, and he, most recently, teamed up with Zak Hughes on the prophetic post-apocalyptic banger DUST. As if that wasn’t enough, he spends his free time doing sound work on films, so when I received the link for Kevin’s latest “I Hate Them” I was thrilled to know that he was keeping up that break-neck pace and delivering “sound” high-energy dance music.

The intro to “I Hate Them” features the voice of his young daughter speaking to, what can be best described as, a minion of some sort. It reminds me a bit of The Prodigy’s intro for Jilted Generation, but I think I can speak for Kevin, when I say, that’s not a bad thing. Having known Kevin for a couple of years now, he makes no apologies about his love for British dance music and his taste for danceable London-based hardcore dance music pervades “I Hate Them” with all the ferocity a track can muster.

“I Hate Them” includes three remixes including a moombhaton remix and another outstanding and more late-night banger under his other pseudonym London Social Club. A highlight on the EP is I Hate Them (people who),maybe it’s because I have always been a fan of break beats, but this remix is down right nasty. The “people who” is an excerpt taking from the “intro” conversation Kevin’s daughter has with this minion. It’s absolutely epic and foreboding, at the same time. Maybe one day I will ask Kevin who “the people” he mentions on the EP are, but I think it goes without saying that “haters” would be pretty high on that list. But honestly, if “I Hate Them” does as good as I anticipate…they have every right to.

I Hate Them on Amazon

I Hate Them on BEATPORT


Trailer for Dracula Untold gives us a very unique look into the backstory of a legend


There’s been many stories about Dracula. The real Dracula that is. My favorite being the Francis Ford Coppola film Bram Stokers Dracula, but after watching this trailer for Dracula Untold directed by first time director Gary Shore and starring Dominic Cooper (Captain America:Winter Soldier) the legend seems to have a new chapter.

In this take on the popular gothic novel, a prince, in order to save his family and people, goes the Faustian way and makes a deal with the undead that would guarantee victory for his bloodline forever. Okay, sure you’ve seen that before, but pair that up with great cinematography and acting and you have something very interesting.

Dracula: Untold also stars Dominic Cooper (Captain America: The First Avenger). It will be released on October 17th.

Short film The Gunfighter is like The Assasination of Jesse James…on WEED

I must start browsing Vimeo Staff Picks more often. This short film, The Gunfighter, directed by Eric Kissack and written by Kevin Tenglin is a brilliant comedy! The story is a spoof, of sorts, to some of those Ken Burns documentaries and other History Channel goings on, where there’s always narration to a dramatic historical reenactment.

In The Gunfighter, an unseen voice narrates a “Ballet of Death” in an old west saloon. The story goes all pear shaped when the voice begins spilling the beans on every one in the bar until a full on gunfight ensues. It’s very very funny stuff. Enjoy!

The Gunfighter from Eric Kissack on Vimeo.

Keith Alan Mitchell – “This Clumsy World” Review

KAM Cover1400x1400

I recently was sifting through my old high school stuff, and came across one of the most important items of my childhood. Torn at the edges, I found my old, stolen copy of On The Road which I took from my school’s library. It made me realize how eventful and quickly life can change, and although on my first read, I hated it, it eventually made a lasting impression on me that I still look back today on. I use the book as a powerful motive, and I’ve been drawn to any form of art that conveys adventures and the unknown. Luckily, the coincidently San Fransico native, Keith Alan Mitchell, has released recently his album, This Clumsy World, and it fills the void perfectly.

As an Americana alt-country artist, its obligatory to have the classic quick, sing-songwriter guitar shuffle in at least one track, and luckily it opens with the song, “Been Buried”, which completes this prerequisite. I can only describe the song as generic, and gladly the album doesn’t follow this route. The upside is Mitchell has an incredible voice that fits a unique niche in alt-country.

Following this song is “Swaying”, a wonderful track that fits the On The Road theme of longing. From the music alone, it’s easy to pick on this idea. It’s a slow, sweet, idea that flows like a conveyor belt, shifting from instrumental tints to timely harmonies to Mitchell’s soft voice. The simple lyrics are a strong choice, as any sort of complexity would ruin the mood. Mitchell has a strong control of his acoustic sound, as there’s no signs of accidental hits that can come with self-produced albums. He has an ear for perfection, and “You Just Disappear” combines the upbeat staccatos of palm-muted guitar strums and tambourines claps.

While on the topic, “You Just Disappear” has the chorus of a late 90′s radio tune, which I like to argue as the best time for alternative music because of the raw need to make music, and Mitchell somehow captures this image in a little tune that resembles a Barenaked Ladies or Blue Rodeo track (Do yourself a favour and listen to “Hasn’t Hit Me Yet” and tell me that you didn’t sing along). This Clumsy World follows the sound of softly floating through songs that produce images of a road trip or new beginnings. The dreary roads at noon, the hot sun through a car window, the capturing of a perfect moment, Mitchell has put these words into art. “Crossed That Line” has a soft acoustic solo that flies right into the track, “What It Means To Soar”, which I found myself pressing repeat on.

Even the album artwork has this idea of releasing yourself from your routines. The artwork, done by Lena Gustafson has a dark hue and watercolour air ballon could easily be lost in the background as the colours are so close. Only until you examine it do you realize that it’s breaking free. Mitchell has found the right way to tie in all the necessities for a true album, from the visual aspect to the lyrical to the most important, the lyrical. Even the solos are on tune (and killer) with the entire albums idea. Artists can sometimes use the time to solo as a time to show their talent. Keith Alan Mitchell uses this time, especially on “Tavern Angeline” and “The Feud”, to enhance the tracks, not overshadow.

Now Mitchell keeps This Clumsy World fresh with his own unique sound of blues, acoustic rock, and alternative country, and “The Feud” is the peak of the album. Placed perfectly in the album, and the climax for many listeners, this song has everything that the album leads up to. I love the way Mitchell sings the chorus with slight aggression and quick word releases. This Clumsy World was a surprise for me. I went in thinking I would have a lot to pick on, but there’s nothing I can call out. It’s an overall incredible album that will sadly be overlooked, but it’s these hidden gems that people keep coming back to. It’s like finding that old book you loved as a teenager. It gives you hope to find another important thing that continues the nostalgic and content memories that one could look back on in the future.






Check out the track, “The Feud” below


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